fylm.ai 2.2 Update – Tetrahedral interpolation, dedicated skin tone editor, Improved AI Colour Match and AI Auto Correct and more

fylm.ai 2.2 introduces whole new Tetrahedral interpolation tool, vastly improved AI Colour Match and AI Auto Correct, dedicated skin tone editor tool, improved raw files handling and Guest Downloads option that allows guests to download a high-resolution graded image.

fylm.ai 2.1 update introduces NeuralFilmAI – smart, colour-aware, AI powered film emulation tool. Additionally, 2.1 update introduces a bunch of bug fixes, smaller improvements and slightly redesigned Controls tab for more streamlined workflow.

fylm.ai 2.0 update introduces ICC profiles and styles export for Capture One, new AI-powered Magic Mode and a streamlined new design. In addition, fylm.ai 2.0 introduces improved Raw files handling, opacity control for every tool for more granular control over your grades and new Vibrance tool.

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fylm.ai 1.7 update introduces NeuralToneAI, a virtual colourist assistant. NeuralToneAI will automatically generate a colour grade based on the context of your image. In addition, update 1.7 introduces Compare View which allows you to examine and compare all your shots easily and also the ability to batch save multiple grades as Candidates.

fylm.ai 1.6 update introduces the option to import custom LUT files, newly introduced scene-referred and stress-tested Lutify.me LUT packs, a free LUT pack available to all users and the ability to export a LUT tailored for the LogC4 pipeline for Arri Alexa 35 cameras.

fylm.ai 1.5 update introduces several new features and bug fixes, but above all, it sets the foundations to allow us to introduce better, faster and smarter colour grading solutions in the next updates.

fylm.ai 1.4 update adds support for the ACES reference gamut compression, introduces a new AI colour transfer model, further improves DaVinci Wide Gamut support and offers a multi-format image save.

fylm.ai 1.3.2 release is a bug fix and enhancement release which fixes two bugs and enhances the handling of virtual and super saturated colours when creating a LUT for DaVinci Wide Gamut Intermediate.