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What to do if some highly saturated blue light sources appear with artifacts?

Notice: The steps detailed in this document are deprecated. As of version 1.4 fylm.ai includes by default the ACES Reference Gamut Compression which fixes any out-of-gamut issues. More details are available in this blog post. Under certain circumstances it is possible for highly saturated blue light sources to exhibit some artifacts, especially around the edges

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What to do if your images appear with a thin red line along the edges?

Sometimes, users on Windows operating system may notice a thin red line which appears along the edges of subjects in the image. The issue looks somewhat like a peaking option available on some monitors. This issue is caused by customising the Nvidia graphics card settings in the Nvidia Control panel, most usually the ‘anisotropic filtering’.

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Using comments in fylm.ai

Getting the right feedback from right people is an extremely important part of any production. Establishing the show look is a process which usually involves several factors and positions. fylm.ai makes it easy to get the necessary feedback so that the show look creation can be as easy and as seamless as possible. fylm.ai offers

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What are the differences between Pro, Team and Enterprise plans?

fylm.ai Pro, Team and Enterprise plans offer a variety of features to best suit your colour grading needs. The purpose of this document is to cover the different fylm.ai plans and explain the differences between them. Pro Pro plan is best suited for professionals usually working solo or who collaborate with other contributors infrequently. It

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LUT Export Options

fylm.ai colour manages your workflow by default using the ACES (Academy Color Encoding System) colour management system. Specifically, fylm.ai uses ACEScct, a sub colour space of ACES2065-1 linear colour space, specifically suited for colour grading purposes. For introduction to ACES colour management system and the advantages of implementing ACES in your workflow, see this document. Without

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